Research & records
References and acknowledgements
The original research credits, catalogue references and list of paintings and sketches cited throughout the study.
Historical record: dates, ownership, locations, contact details and any sale statements below are reproduced from the original study. They have not been confirmed as current.
Rocky
Forest Pool, inscribed
F.E. Church '57 (1857)
Oil on Canvas 24 ¾ ins x 30 ¾ ins
62.8 cms x 77.7 cms
Based on Church's 2 preparatory sketches:
1.)
In the New England Woods (now retitled Woodland Stream by Cooper Hewitt) 1856 (AAT attribution).
Size: Museum Notes, H: OM173. W: OM305.
Oil and pencil on card.
Cooper - Hewitt, Design Museum. Ref. DP 1917- 4 - 664A.
And Also
2.) Freeman
Brook (?) Near Cuttingsville. Vt.
August 1849..
Size: 23 x 28.6 cms
Inscribed in graphite on off-white paper. Olana, Cat. No:
238. OL.1980.1428.
Olana State Historic Site, Hudson, New York.
Dr. Franklin Kelly.
The late, Dr. David C. Huntington.
Dr. Kevin Avery. Curator of American Paintings, Metropolitan Museum of Art.
Professor Stephen Jay Gould.
Ass. Prof. Tim Barringer, Yale University.
Janice Slater, National Gallery of Scotland.
Dr. Bruce Chambers.
Dr. Gerald L. Carr.
The late, James Anthony Ryan, Of Olana State Historic Site.
The Smithsonian & The Archives of American Art.
The Archives of American Art.
Brad Nugent, Cooper Hewitt Museum.
Wadsworth Athenium.
Prof. Barbara Novak.
Andrew Wilton, American Sublime Exhibition, Tate Gallery 2002.
The essay on the C.D. and Web site is taken from the thesis:
Frederic
Edwin Church:
Rocky Forest Pool '57.
The Light on the Water and the Luminous Evanescent Distance;
Paradise Regained.
© Oliver Thiebaud, The Art & Architectural Trust. 1985,1995,
2002.
Further references
Olana
State Historic Site:
Cat no. 329 OL1977 0171 - 'Rocky
Cascade'
Cat no. 392 OL 1980 1870 - 'Forest Pool' (vol.7)
Cat no. 246 OL1 977 0127 - 'Beldens Falls, Middlebury,
Vt, (vol. 6).
Cat. No. 157 OL 1977 0227 - 'Hillside and Stream near
a Forest'
Cat. No. 167 - 'The Housatronic River Valley nr. Stockbridge'
Cat. No. 168 - 'The Housatronic River, Moss Covered
Boulder (vol.6)
The
Archives of American Art:
1917- 4- 854 'Study in the Woods'
DP1917- 4- 861 'A
stream in the New England Mountains'
1917- 4- 865 'Upper part of a Cascade.
Paintings and sketches cited in the essay
With thanks to the Owners of these Works for graciously allowing us to use these images. They are all Oil Paintings on canvas by Frederic Edwin Church, unless stated otherwise. In order of appearance in the Essay.
1.&
2. These Preparatory Sketches are directly related to Rocky
Forest Pool 1857.
See under heading: Preparatory Sketches.
1.
In the New England Woods (now retitled Woodland Stream by Cooper Hewitt) 1856 (AAT attribution)
Size:Museum Notes, H: OM173 W: OM305.
Oil & pencil on card. Cooper Hewitt Design Museum. Ref: DP
1917- 4 - 664A.
It shares, 12-15 similar features with
Rocky Forest Pool '57.
2.
Freeman
Brook (?) Near Cuttingsville. Vt.
August 1849..
Size: 23
x 28.6 cms
Graphite on off white paper. Olana, Cat. No: 238. OL.1980.1428.
Olana State Historic Site, Hudson, New York.
It shares 7-10 similar features with Rocky
Forest Pool '57.
3. Home
by the Lake 1852. ( 81 x 122.6 cms ) Private Collection.
Sold for $ 8,250,000, Sotheby's, New York, May 24th
1989
4. A
Country Home 1854. (115.9 x 162.2 cms )
Seattle Art Museum. Gift of Mrs.Paul C. Carmichael.
5.
In the Woods 1855, Asher B. Durand. (154.3
x 122.9)
Metropolitan Museum of Art, New York. Gift in memory of Jonathon
Sturges, from his children.
6. The
Arcadian Shepherds. circa, 1655. Nicholas Poussin
The Louvre, Paris.
7. Scene
on Catskill Creek, New York 1847. (54.6 x 75.6
cms)
Washington County Museum of Fine Arts, Hagerstown, Maryland.
8.
Tequandama
Falls, Near Bogota, New Granada1854. (162.6 x
101.6 cms)
Cincinnati Art Museum. The Edwin and Virginia Irwin Memorial.
9. The
Natural Bridge Virginia 1852. (71.1 x 58.4 cms)
Bayly Art Museum, University of Virginia, Charlottesville.
10. The
Andes of Ecuador 1855. (121.9 x 190.5 cms)
Reynolda House, Museum of American Art, Winston-Salem, North
Carolina.
11. Niagara
1857. (108 x 229.9 cms)
The Corcoran Gallery of Art, Washington, D.C.
12. The
Heart of the Andes 1859. (168 x302.9 cms)
The Metropolitan Museum of Art, New York. Bequest of Mrs.
David Dows.
13. Cotopaxi
1862. (121.9 x 215.9 cms)
The Detroit Institute of Arts, Founders Society Purchase with
funds from: Mr. & Mrs. Richard A. Manoogian, Robert H. Tannahill
Foundation Fund, Gibbs-Williams Fund, Dexter M.Ferry Jr, Fund.
Merril Fund and Beatrice W. Rogers Fund.
14. Twilght
in the Wilderness 1860. (101.6 x 162.6
cms)
The Cleveland Museum of Art, Mr. & Mrs. William H. Marlatt
Fund.
15. The
Charter Oak 1847. (56 x 76.3 cms)
Olana State Historic Site, Hudson, New York.
16. The
Charter Oak at Hartford 1846-1847. (61
x 91.4 cms)
Private Collection.
17. Mount
Ktaadn (Katahdin) 1852. (92.1 x 140.3 cms)
Yale University Art Gallery, Stanley B. Resor, B.A. 1901,
Fund.
18. The
Evening Star 1858. (19.7 x 26.7 cms)
Private Collection.
19. Sunset
1856. (61 x 91.4 cms)
Munson-Williams-Proctor Institute, Utica, New York.
20. Twilight,
a sketch 1858. (20.3 x 30.5 cms)
Olana State Historic Site, Hudson, New York.
21. The
Icebergs 1861. (163.2 x 285.1 cms)
Dallas Museum of Art, anonymous gift.
Sold for $ 2,750,000 Sotheby's 1979.
22.
View of Cotopaxi 1857. (62.2 x 92.7 cms)
The Art Institute of Chicago, Gift of Jeanette Hamlin in memory
of Mr.& Mrs. Louis Dana Webster.
23. Distant
view of Sangay Volcano, Ecuador 1857. (22.7 x
36.4 cms)
Oil and pencil on thin board. Cooper Hewitt Museum Gift of
Louis P. Church, 1917-4-402.
24. Rocky
Cascade circa 1851. (27.6 x 31.8 cms)
Graphite and gouache on light green paper, OL. 1977. 171 (PD391)
Olana State Historic Site, Hudson, New York.
25. To
the Memory of Cole 1848. (81.3 x 124.5 cms)
Sold for $ 4,732,000 Sotheby's New York, May 1999.
26.
Mount Newport on Mount Desert Island. 1851-1853.
(43.8 x 63.5 cms).
Sold for $ 4,186,000 by Christie's New York
27. Cross
in the Wilderness 1857. (41.3 x 61.6cms)
Thyssen-Bornemisza Collection, Lugano, Switzerland.
28. Niagara
Falls, from the American Side 1867. (260.4 x 231.1
cms)
National Gallery of Scotland.
29.
The
Wreck 1852. (76.2 x 116.8)
The Parthenon, Nashville, Tennessee.
30. Morning
in the Tropics 1858. (21 x 35.6cms)
Walters Art Gallery, Baltimore.
31. Oosisoak
(Assissnag)1862
Private Collection.
32. Under
Niagara 1862. (121.9 x 182.9 cms)
Location unknown.
Paintings and sketches cited in the footnotes
33. Twilight,
'Short arbiter t'wixt day & night' 1850.
(81.9 x 121.9 cms)
The Newark Museum.
34. New
England Scenery 1851. (91.4 x 134.6 cms)
George Walter Vincent Smith Art Museum, Springfield, Massachusetts.
35. An
Old Man Reminiscences 1842. Asher B. Durand. (97.8
x 148.6 cms)
Albany Institute of History and Art.
36. Clearing
up, Coast of Sicily 1847. Andreas Achenbach. (81.9
x 116.2 cms)
The Walters Art Gallery, Baltimore.
37. Coast
Scene, Mount Desert 1863. (86.7 x 121.9 cms)
Wadsworth Atheneum, Hartford, Connecticut. Bequest of Mrs.
Clara Hinton Gould.
38. Lake
Scene in Mount Desert Island 1851. (52.6 x 78.4
cms)
Private Collection.
39. Clouds
over Olana 1872. (22.1 x 30.8 cms)
Oil on off-white paper Olana State Historic Site, Hudson,
New York.
40. Sunset
across the Hudson Valley 1870. (32.2 x 35.2 cms)
Cooper- Hewitt, National Design Museum, Smithsonian Institution.
Gift of Louis P. Church, 1917-4-582C.
Additional context from the original page
Thanks particularly to, David Huntingdon, Franklin Kelly and Gerald L Carr, Who share the keys to the hidden Treasure of, Frederic Edwin Church.
From the original Rocky Forest Pool study, © Oliver Thiebaud, 1985, 1995, 2002. Wording retained for review, but all interpretations and citations have been extensively discussed directly with Dr David C Huntingdon, James Ryan, Dr Kevin Avery, and Dr Gerald L Carr.